Tags: Catherine Deneuve, criterion collection, film, Jacques Demy, musical. There were also a couple features surrounding the costume designs and set designs, which were mostly about Rochefort, but also touched on Umbrellas. Yet, Quandt still demonstrates a number of similarities that I had missed. I’ve spent my time near a roulette wheel and have never seen someone win or lose in such quick and dramatic fashion.
It’s not a tale Disney would ever tackle, and that’s what gives this tale of incest its weird yet strangely wholesome edge. Rochefort wasn’t as flamboyantly colored, but it certainly had a look. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a handsome garage mechanic, played by Nino Castelnuovo. In a way, it’s closer to Jacques Tati’s “Playtime”: a city film (in this case a smaller town, which Demy painted in summer colors) that keeps picking up with the same people milling about, interacting (and in this case getting their own songs, once again by Legrand). The missing ingredient is Michel Legrand. What makes this short special is the care and fondness for the subjects. I’ll just say that it didn’t seem realistic given how the characters were developed. And perhaps worst of all: Broken hearts that heal because everyone moved on. This is the supplement that has Demy talking about how the children would not pick up on the incest theme. Excavating the archives for interviews that cover Demy, Agnès Varda, and numerous cast and crew members, this is a laundry list of extras that will take days, perhaps even weeks to properly sift through. The most impressive short in my opinion was Le sabotier du Val de Loire, where a pastoral family makes clogs. One local proudly carries around the VHS cassette of the movie everywhere she goes (hopefully upgraded to Blu-Ray by now). Posted on September 7, 2014, in Criterions, Film and tagged Catherine Deneuve, criterion collection, film, French New Wave, Jacques Demy. This precisely wrought, emotionally penetrating romantic drama from Jacques Demy, set largely in the casinos of Nice, is a visually lovely but darkly realistic investigation into love and obsession. Even though this set only includes the ‘Essential’ titles, it’s the best representation of his work, and with the shorts included, I felt that I had seen the development and evolution of style. Mathieu Demy oversaw the process, and his input was primarily how to preserve the artistic intent rather than creating a technically perfect restoration. ( Log Out /  Also note that The Young Girls of Rochefort is included in the DVD version. Many of them were the way that Demy portrayed it on screen. They paid a lot of attention to little details, such as coloring 1,000 total shutters on random buildings. I know, it’s not too defensible and I realize that.

He finds purpose when he encounters Lola, a long lost friend that he hasn’t seen in years. Well, some of Demy’s characters do. It’s difficult to put yourself in that position as an adult. This would not be as easy to pick up if you watched the films individually over a longer span of time. Later, I saw Demy in Nantes introducing his film to an audience, and also presenting Singin’ in the Rain at a ciné-club. My expectations are not high, but it seems to fit into the Demy universe since it is a sequel to Lola. The works collected here—made from the sixties to the eighties and ranging from musical to melodrama to fantasia—are triumphs of visual and sound design, camera work, and music, and they are galvanized by the great stars of French cinema at their centers, including Anouk Aimée, Catherine Deneuve, and Jeanne Moreau. Lola Even now, some 50 years later, the world that Demy created takes some getting used to. She will be prevalent through these discs, and there will be some documentaries of hers later. Demy wanted to create an unsanitized fairy tale — based on one by Charles Perrault, the creator of “Sleeping Beauty,” “Cinderella” and many more — but do so with a childlike innocence.

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