While the track was originally written on piano, the final version is an electro-trap,[3] grunge rock[4] and EDM[5] composition with a "funky" dubstep drop[6] and "Eurodisco bleeps and bloops".

Editors’ Notes You don’t need to hear Taylor Swift declare her old self dead—as she does on the incendiary “Look What You Made Me Do”—to know that reputation is both a warning shot to her detractors and a full-scale artistic transformation. Three years after the release of 2014’s 1989, and following several public spats with celebrities like Kanye West Taylor Swift aims to clear her name and inaccurate public image on reputation. Harris then accused Swift of “trying to tear your ex bf down for something to do” because she needed “someone new to bury like Katy” (referencing Swift’s storied feud with Katy Perry).

The star flits between über-personal love songs and over-the-top takedowns throughout the set, and at times one might wonder if she’s sharing from the heart, having an identity crisis, playing a character to stir the pot — or some combination of the lot. “Forgiveness is a nice thing to do,” she adds in her best holier-than-thou voice before bursting into a cackle.

Until the 47-second mark, at which point she drops the tough-girl shtick and unleashes the chorus, so sweet and soaring you’d think it was a 1989 Target bonus track you unfortunately and unwittingly passed over. View production, box office, & company info. “Getaway Car” appears to hint at a (gasp!) "I Did Something Bad" was written by Swift, Max Martin and Shellback, and was produced by the latter two. Future’s reputation has a lot to do with his drug use and partying. You're left wishing Swift would just make up her goddamn mind. Ad Choices, Taylor Swift’s Reputation: Good Girl Gone Unconvincingly Bad. The song marked the first time Swift used explicit lyrics in a song. Swift's sixth album is about how she "rose up from the dead" (as she informs us on "Look What You Made Me Do") with a list of enemies to get revenge on, like the scorned Bride in Kill Bill.
Sheeran’s proclamations of an alleged reputation are the most laughable, further evidence of Swift’s inability to read the room. On “End Game,” Swift continues to play with hip-hop, (surprisingly) convincingly holding her own alongside pal Ed Sheeran and Future, who provide rapped verses. In a word: Yas, Queen. Made me cry as well.Congrats to Taylor Swift for releasing her stadium tour in Netflix, large number of people will get to view it including countries who never got to experience Reputation World Tour. The track finds Swift in the beginning of a relationship, crucified in the court of public opinion but with a nonjudgmental man. Taylor Swift, on the other hand, had a relatively pristine persona until her petty beefs with other celebrities saturated her media attention. And more importantly, each of the songs makes you feel something — and that’s what pop music is all about.

There are moments of tongue in cheek. Which is to say nothing of Ed Sheeran’s appearance on the track, doing his own form of white-boy rapping that didn’t die with Jason Mraz. “Dress” is perhaps the most sexually explicit Swift’s music has ever been and it doesn’t feel like a reach like her attention-seeking hip-hop excursions—producer Jack Antonoff seems to bring out the best in Swift, while Max Martin has her futilely attempt to fit the Britney Spears mold he perfected in the '90s.

Taylor Swift’s Reputation: Good Girl Gone Unconvincingly Bad.

All seemed amicable, but just a month later everything exploded. Album opener “…Ready For It?” sets the tone for Reputation: dark, dramatic, sexy — and occasionally saccharine. Introducing ... PEOPLE's Products Worth the Hype. A girl found out that she is not out of the woods from her relationship yet. “I Did Something Bad” Lyric: “I never trust a playboy, but they love me / So I fly them all around the world, and I let them think they saved me.”. Reputation is a keen commentary on modern celebrity. You don’t need to hear Taylor Swift declare her old self dead—as she does on the incendiary “Look What You Made Me Do”—to know that reputation is both a warning shot to her detractors and a full-scale artistic transformation. But the music video is more extreme, car crashes, corpses, snakes and more.
2017.

She jokes, "I swear I don't love the drama, it loves me” or teases ex-lovers on “I Did Something Bad.” But those bits are few and far between, preferring to muse that, “They're burning all the witches, even if you aren't one / They got their pitchforks and proof / Their receipts and reasons.” It’s one of the many tone-deaf moments in Taylor’s entire rollout for Reputation. [7] The track was engineered and mixed at MXM Studios in Los Angeles and Stockholm, as well as Mixstar Studios in Virginia Beach and Sterling Sound Studios in New York City. Taylor Swift in her most awaited stadium tour ever.

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