Alexandre Farto aka Vhils (1987) has developed a unique visual language based on the removal of the surface layers of walls and other media with non-conventional tools and techniques. Jessica Stewart is a Contributing Writer and Digital Media Specialist for My Modern Met, as well as a curator and art historian. Haben Sie Fragen? Er hat an einigen der renommiertesten zeitgenössischen Projekten im Bereich der urbanen Kunst teilgenommen. 400 × 300 cm | Instituto Camões, Lisbon | Photo: Alexander Silva, Hand-carved advertising posters collected from the street | 186 × 316 cm | Photo: Alexander Silva, Hand-carved advertising posters collected from the street | 185 × 486 cm | Photo: Vhils Studio, Scratching the Surface project | MiamiNovember 2018, Acid-etched metal plates, cut and assembled | Each: 200 × 100 cm | Photo: Alexander Silva, Cement cast sculpture | 60 × 60 × 32 cm | Photo: Alexander Silva, Scratching the Surface project | Cincinnati, Scratching the Surface project | Aberdeen. Read More, Gallery | Posted on January 26, 2016 by Aneta StreetArtRat. Celebrating creativity and promoting a positive culture by spotlighting the best sides of humanity—from the lighthearted and fun to the thought-provoking and enlightening. Sie können diese Funktion bei der Konfiguration Ihres Browsers abstellen. Vhils chiseled 10 masked figures into an outdoor wall at the facility, creating a permanent homage to nurses, doctors, cleaning staff, maintenance workers, and kitchen employees.
a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme. vhils honors healthcare workers + ancillaries with massive mural in porto. – Alexandre Farto/Vhils for Wynwood Walls, View Street Art Rat’s profile on Pinterest, The Issue of Street Art & Graffiti - Part I. “, The disposition of the people in the composition, side-by-side, aims to symbolize not only the concept of frontline but also cooperation and teamwork.”, An Intricate Lace Mural Envelops the Facade of a French Fashion Museum, Insatiable Mouths and Fingers Rouse a Delicate Tea Set by Artist Ronit Baranga, A Staggering Sculptural Rug by Artist Faig Ahmed Pours into an Amorphous Puddle, Uncoiled Rope Sprawls Across Canvases and Open Spaces in Organic Forms by Artist Janaina Mello Landini, A Prismatic Installation with Giant, Abstract Forms Sweeps Across a Berlin Museum, Banksy Finances ‘Louise Michel’ Lifeboat to Rescue Refugees From the Mediterranean, As a Tribute, Vhils Carves Ten Masked Healthcare Workers into a Hospital Wall in Porto, Splash and Burn: An Artist-Led Initiative Raising Awareness About the Negative Effects of Palm Oil Production in South Asia, A 20,000-Square-Foot Tribute to Healthcare Workers Emerges at Queens Museum. 2013 Turismo de Portugal. This is one of his two works in Porto and it’s easy to find. Vhils arbeitet zurzeit mit Vera Cortês Art Agency (Portugal), Lazarides Gallery (Großbritannien) und Magda Danysz Gallery (Frankreich und China) zusammen. Versuchen Sie es erneut.
Find out how by becoming a Patron. 365 × 361 × 35 cm | Photo: César Reis, Hand-carved old wooden door | 96 × 193 cm | Photo: Alexander Silva, Scratching the Surface project | AberdeenApril 2019, Acid-etched metal plate, wax | 200 × 150 cm | Photo: Alexander Silva, Site-specific wall piece with hand-carved advertising posters | Approx. Weitere Informationen in den Nutzungsbestimmungen und Verarbeitung von personenbezogenen Daten, https://www.visitportugal.com/de/search/site?page=21&f[0]=im_field_poi_tipo%3A488. As it was impossible for Vhils to portray everyone who works in the hospital, he chose a cross-section of doctors and nurses as well as the administrative staff, food services, and maintenance workers who make things run smoothly.
Vhils arbeitet zurzeit mit Vera Cortês Art Agency (Portugal), Lazarides Gallery (Großbritannien) und Magda Danysz Gallery (Frankreich und China) zusammen. located on the entrance of a hospital in porto, the mural by vhils features ten massive faces that represent the people that have been battling the pandemic. “It is a commendation of the courage, dedication, and selflessness with which they place their lives at risk in the defense of our own,” the artist says.
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