“How can you be so damn sure?” Thornton asks. This is the only flashback accompanied by voiceover—Pike affecting a toughness of attitude, telling Dutch all he thinks about is getting even with Aurora’s husband. When the tuba player stops Thornton’s bullet meant for Pike, Pike doesn’t like the idea of killing his old buddy and shoots a bounty hunter instead. Thornton thinks back to what got him into this mess—that time in the whorehouse when he ignored his impulses and listened instead to the reassurances of Pike, whose own impulse was to run out the back door. THORNTON:  How does it feel to be so Goddamned right? DUTCH:  Sykes says we got to go after him. (Green and Peckinpah, p. 99) PIKE:  You’re here with us, pardner—any business you got with the general comes after we finish ours—understand? Under Peckinpah's kinetic direction, The Wild Bunch is an action packed Western that is one of the finest in the genre. If you can’t do that you’re worse than some animal—you’re finished—we’re finished—all of us! PIKE:  I don’t know a goddamned thing except I either lead this bunch or I end it—right now! ANGEL:  I’m not going to steal guns for that pendeju general then watch him rob my village and kill my people. | Top Critics (18) They are led by Deke Thornton, once the closest friend of Wild Bunch leader Pike Bishop, until Pike had abandoned him in the face of oncoming lawmen. Back with those greasers!

Joined by his gang, which includes Dutch Engstrom (Ernest Borgnine) and brothers Lyle (Warren Oates) and Tector Gorch (Ben Johnson), Bishop discovers the heist is a setup orchestrated in part by his old partner, Deke Thornton (Robert Ryan). Patent #5,734,916; #6,105,046.

THORNTON:  Unless you’d like to go back and face a firing squad. Eager to see what they’ve just stolen from the train, the Wild Bunch open the boxes of guns: Feted by the villagers, the Wild Bunch look for opportunities in Agua Verde, where they’re hired to obtain guns for Mapache. In the whorehouse flashback, Thornton reluctantly allows Pike’s ideas about what their pursuers will do next to determine his future; Conceiving of Pike’s next moves, Thornton’s able to keep up with him; Influenced by Pike’s example, Thornton likes the idea of taking up Angel’s cause and joining Sykes. The implication is unavoidable:  what we witness in The Wild Bunch is the triumph of the ideal over the material realm.” Drama. Those mining companies will bring a bunch of hardcases down there and Butch’ll get busted just the same…Every one of us is worth a year of drinking and whoring to any fool that can read a wanted poster and carry a gun. DUTCH:  How about us, Pike? Just leave us a message here and we will work on getting you verified. PIKE:  If you two boys don’t like equal shares and a little for the old man—why in hell don’t you just take it all.

Take him…  [...]  MAPACHE GRABS HIM BY THE HAIR and his other hand flashes across the boy’s throat as he shoves Angel into the Americans, the blood splattering them from his severed throat. He never veers from his pledge to Harrigan to bring Pike in, a loyalty which even Pike respects him for: PIKE:  Being sure’s my business. How does it feel to be so Goddamned right? More than a general—a man to rule all Mexico if God wills. (Green and Peckinpah, p. 80)—but the thought of going back to jail or execution keeps him on Pike’s trail. While pleased to receive the guns from the Wild Bunch, Mapache’s displeased to learn of Angel’s theft and captures him. You reckon we learned, being wrong today? Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. Pike thinks back (and so does Thornton) to the defining moment in their relationship, when Thornton got shot and became a prisoner, while Pike ran out on him and became a lesser man. In this gritty Western classic, aging outlaw Pike Bishop (William Holden) prepares to retire after one final robbery.

PIKE:  He was—but he got old and tired and when that happens, things change. DUTCH:  Thornton—they got Sykes. Coming Soon. The film features an all star cast of talented actors who light up the screen in the classic film. A tale of unfaltering masculinity in an era of change, Sam Peckinpah's 'The Wild Bunch' is a masterfully crafted deviation from the conventional western. THORNTON:  He was the best. Even though his abandonment by Pike took place some time ago, Thornton can’t forget or forgive it, and in coming after Pike reopens the wound for both of them. Thornton has a deeply lined face and the resigned manner of a man who has changed sides to stay alive, although part of his life has gone out of him with the change.” Pike’s resistant to change, even though the old ways are not working as well any more. Disappointed with his motley crew of “damned egg sucking chicken stealing gutter rats,” Thornton reconsiders his promise to bring Pike in: PIKE:  I don’t know any better—maybe don’t want any better. (He later became an actor.). Every actor brings something terrific to the screen that elevates the plot significantly. (Green and Peckinpah, p. 17). 20-21), While Thornton and Pike never meet face to face, Thornton’s constant presence reminds Pike of how he abandons his associates when the going gets tough. PIKE:  Nobody’s an old friend when he’s worth a bounty…and that bounty will keep me out of jail.
Which, when you come to think about it, might be just the way they'd want it. Initially following the titular criminals as they rob, murder and brutalize a town for personal gain the film's protagonists are shown as unrelenting and cold-blooded, this is soon altered, however, and the film's theme of change (both politically and morally) is reflected by the audience's perception of the bunch as they are subjected to the benevolence and brotherhood prominent within them over the two and a half hour running time. As a result, Mapache apprehends Angel, a young Mexican member of the Wild Bunch whose village Mapache has ravaged. With Angel as an example and Thornton as a constant reminder, he finally re-evaluates his lifetime of running out on people and stands by Angel, living up to his word: Thornton commits to bringing Pike in, regardless of who gets killed along the way; Pike admires the steadfastness of Thornton—he’s given his word, even if it is to the railroad; Pike feels guilty for his lack of devotion to Thornton, running out on him in the whorehouse. | Rotten (6).

Western. (Green and Peckinpah, p. 22). THORNTON:  We didn’t lose them—I could point to them now. (Green and Peckinpah, p. 20) The dissension is most aptly characterized by Pike when he says, “Go on, go for it, fall apart.”  Opposed to this strain is the idealistic realm, in which, despite petty antagonisms, the men stay together because of their feelings of loyalty to one another, a state also successfully characterized by Pike after Tector threatens to “get rid of” Sykes. He took money "from a whiskey peddler" and was fired.

Coming Soon. THORNTON:  Tell me, Mr. Harrigan—how does it feel? After his men shoot the U.S. soldiers by mistake, he realizes that now they must bring in Pike: “GUARD:  Mapache? THORNTON:  I’m sure. Death, the ultimate transformation, is the consequence for failure in The Wild Bunch: Failing to get away with their gold, Pike, Dutch, and the Gorch brothers embody some kind of nobility in dying for what they believe in; Mapache’s career as an oppressor ends when his men are wiped out and their guns taken; The bounty hunters are apprehended and killed by Sykes, and fail to deliver their pelts; The throat slit Angel is denied the chance to see his people freed; Thornton doesn’t get his man, but happily becomes a free man and an outlaw again. The gang spies the trap midway through the robbery, and as the town temperance union coincidentally marches unaware down the street, the bunch makes their break using them as a shield. Thornton, visibly apprehensive, urges they leave, while Pike orders him to relax, assuring him this is the last place the law will think to look. The tight-knit cooperation his stubbornness engenders enables the Bunch to pull off their heists so well, but when Pike’s guilt over Angel enters the equation, it adds up to doom for them all. PIKE:  Whatever I don’t know, I’m going to learn.”
(Green and Peckinpah, p. 28). HARRIGAN:  I am wondering why you shot the paymaster and let your ‘old friend’ get away. Though Pike discusses changing his lawless, gunfighting ways, it’s the only lifestyle he knows and he hangs onto it, a dinosaur in changing times. Unhappy with Angel’s torture getting more severe, Pike leaves his gold behind and confronts Mapache. Peckinpah, like Sergio Leone before him, helped shape the Western film in a way that was both brutal, yet beautiful. PIKE:  I wouldn’t have it any other way. loot corpses for personal gain; Mapache aims to be “the best armed General in Mexico”; Dutch leaves Angel at Mapache’s mercy and escapes with his gold; Pike runs out on Thornton at the whorehouse; Pike offers only half his share to buy back Angel from Mapache; etc. “...Pike is aware that his abandonment of Thornton years before set in motion the of events that now causes his best friend to pursue him. HARRIGAN:  You have 30 days —30 days to Yuma. And yes, they all wear brown hats. William Holden shows range, playing the blood-letting Pike, and Ernest Borgnine does likewise as the fat, laughing Dutch. (Green and Peckinpah, p. 28) ANGEL:  People marching and singing coming down the street—going to pass near the horses. Sam Peckinpah's The Wild Bunch, set in 1913, is a 1969 film about the death of the American Frontier, but it has nothing to do with history. They kill indiscriminately, they rob, and they have no altruistic motivation.

She had a husband and I should have had enough sense to kill him. You're almost there!

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