Sturges, himself a director of brainy comedies, thought his fellow filmmakers were going a bit overboard with seriousness and preaching, and here he masterfully defends the universal human condition that responds to comedy. In fact, the making and the release of Sullivan’s Travels spans two eras. Tatum O'Neal's smoke- and booze-filled caper.

A few iffy racial images contrast with a moving black-church climax.

One day, he goes to a dinner with a coin and a blonde girl offers bacon and eggs to him.

There aren't any reviews yet. Much casual smoking by main characters. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. It's a must-see for movie lovers yesterday, today, and tomorrow.

Such an interpretation certainly underscores Sullivan’s final philosophical summing before the credits begin to roll: “There's a lot to be said for making people laugh…It isn't much, but it's better than nothing in this cockeyed caravan.”. A secondary message about the disconnect between the privileged and the underprivileged, and how this can cause misunderstandings, however well meaning people are. Read the Study Guide for Sullivan’s Travels…, Depression-Era Philosophies: Steinbeck and Sturges, View Wikipedia Entries for Sullivan’s Travels…. Not wanting it to be a publicity stunt, Sullivan makes a deal with his tailing party: leave him alone for a few weeks, with them all to meet up at a determined location after that time. Later, a character gets robbed and beaten, though not much is shown, and another character dies when he's run over by a train offscreen. When they are released, the girl decides to join Sullivan in his quest to learn about poverty.

When Sullivan is satisfied, he is robbed and dumped unconscious in a train. Common Sense and other associated names and logos are trademarks of Common Sense Media, a 501(c)(3) nonprofit organization (FEIN: 41-2024986). Discreet scenes of the heroine in the shower. If the film ultimately comes down for Sullivan on the side of comedy being great medicine, it also begs the audience to consider the dangerously socialist message (then and now) that cooperation may actually be an improvement over competition.

He met her when she did a Good Samaritan deed for him. These notes were contributed by members of the GradeSaver community. These papers were written primarily by students and provide critical analysis of Sullivan's Travels by director Preston Sturges. A slapsticky car chase. He wears cheap clothes and tries to blend with poor people but he always returns to Hollywood protected by the safety team hired by the studio.

After he meets an out of work actress they managed to live a few days with tramps and hobos. He awakes in the countryside where there is an incident and he is arrested and sentenced to a labor camp, where he leans the importance of comedy in the miserable lives of destitute people. The Question and Answer section for Sullivan’s Travels is a great Director John L. Sullivan wants to make a social-problems film called 'O Brother, Where Art Thou?' Keep in mind that Sullivan never poses or even seems to consider this question. Sullivan's Travels study guide contains a biography of director Preston Sturges, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Some African-American characters border on comic stereotypes, though these depictions are paired with a dignified all-black church sequence near the end. Your purchase helps us remain independent and ad-free.

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Synopsis After you claim a section you’ll have 24 hours to send in a draft. Sturges was far too intelligent and world-weary a screenwriter to accept the words he has Sullivan speak at face value. Together they experience hunger, deprivation, and charity in hobo camps and church kitchens. That motivating force which propels both Sullivan’s travels in the movie and Sullivan’s Travels the movie itself is a very valid question: when is laughter appropriate as a way of dealing with very serious issues and when does it become an inappropriate response. An editor "Sullivan’s Travels Study Guide: Analysis". Parents and caregivers: Set limits for violence and more with Plus. Even more to the point, by the time Sullivan has come to fully appreciate the value of his sense of humor, he has also come to understand that the conventionally accepted truths about democratic ideals and free enterprise economics are exactly the things brought on the Great Depression in the first place and that any serious suggestion that they are the only possibly tools available for fixing such a mess is exactly the point at which laughter becomes an inappropriate response when clearly bitter anger is the proper reaction. Another character is killed, non-explicitly (but we're given to understand there isn't much left), by a train. The star rating reflects overall quality. Mature tweens and up with an interest in classic film will be captivated from the first frame (an over-the-top fake death scene) to the stirring Negro-spiritual performance at the end that heralds Sullivan's epiphany about the basic need to laugh, no matter how bad things get. Temporarily escaping their scrutiny, Sullivan gains a touring partner in the form of a struggling wannabe actress (Veronica Lake) on the verge of giving up her Hollywood dreams. After a few mis-starts where he can't seem to shed his privileged past, Sullivan does manage to hit the road, this time with an aspiring but struggling actress who believes she can better help him navigate road life.
Moreover, to get it just right Sullivan demands to experience poverty and desperation personally, masquerading as a homeless vagrant.

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