1963 is a large, two-canvas painting by the American pop artist Roy Lichtenstein that takes its composition from a comic book strip. Roy Lichtenstein, né le 27 octobre 1923 à Manhattan (New York)1 et mort le 29 septembre 1997 au même endroit, est un des artistes les plus importants du mouvement pop art américain. Lichtenstein carefully accurately recreates an image – and that image shows a man finding freedom in machines. It has been on permanent display at Tate Modern since 2006. ). Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. Whaam! Takka Takka by Lichtenstein  is a subversion of the interpretive conventions of "pop" culture, but  it interrogates a shared idea about war, that war's sublime violence heroizes. Vous pouvez partager vos connaissances en l’améliorant (comment ?) flies straight out of the pages of popular war-based comic books moulding the minds of young men who were too young yet to fight in either the Cold War or the one starting to heat up—Vietnam. est à la fois une des oeuvres les plus connues de Roy Lichtenstein et un exemple typique du pop art américain. Whaam! Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon. Whaam! They adopted commercial methods like silk-screening, or produced multiples of works, downplaying the artist’s hand and subverting the idea of originality—in marked contrast to the highly expressive, large-scale abstract works of the Abstract Expressionists, whose work had dominated post-war American art. En savoir plus sur comment les données de vos commentaires sont utilisées. selon les recommandations des projets correspondants. Pop artists seemingly embraced the post-WWII manufacturing and media boom. Whaam! The painting's title is integral to the action and impact of the picture, and displayed in large onomatopoeia (the formation of a word from a sound associated with what is named) in the right pane Whaam! Key pop artists include Andy Warhol, Roy Lichtenstein, Richard Hamilton, Peter Blake and David Hockney. Les champs obligatoires sont indiqués avec *. L'ensemble des articles de EtaleTaCulture est mis à disposition selon les termes de la licence Creative Commons Attribution. Whaam ! Enregistrer mon nom, mon e-mail et mon site web dans le navigateur pour mon prochain commentaire. en français) est une œuvre de l'artiste américain Roy Lichtenstein. Instead of painting abstract, often subject-less canvases as Pollock and others had had done, Lichtenstein took his imagery directly from comic books and advertising. By creating paintings or sculptures of mass culture objects and media stars, the Pop art movement aimed to blur the boundaries between "high" art and "low" culture. C'est le cas de Whaam! Throughout the 1960s, Lichtenstein frequently drew on commercial art sources such as comic images or advertisements, attracted by the way highly emotional subject matter could be depicted using detached techniques. It could be read as a warning of the implications of such a war. Nous sommes ici en présence d’une reproduction d’une case de bande-dessinée tirée de All American Men of War (Ross Andru, 1954). was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. Whaam! In the 1980s and '90s, he also painted representations of modern house interiors, brushstrokes and mirror reflections, all in his trademark, cartoon-like style. Lichtenstein conceived the image from several comic-book panels. Lichtenstein employs his usual comic-book style: stereotyped imagery in bright primary colours with black outlines, coupled with imitations of mechanical printer's Ben-Day dots. It is on a grand scale, split across two panels that together measure more than four metres in width. Si vous avez un tableau que vous souhaiteriez voir apparaître sur le blog, ou alors si vous avez des remarques à me faire, vous pouvez m'envoyez un mail à cette adresse : Vous voulez découvrir de nouvelles formes et de nouveaux lieux ? Whaam! Son nom de naissance est Roy Fox Lichtenstein, sa nationalité américaine. His art is gloriously paradoxical – and the cleverest paradox is that, as in Whaam! Ici, Roy Lichtenstein respecte les les codes propres à la bande-dessinée, c’est à dire des formes simplifiées, une bulle (en haut du panneau de gauche) pour représenter ce que pense le pilote de l’avion, des lettres pour symboliser le bruit que fait l’explosion et surtout, le fait que l'image soit figée au moment le plus important de la scène qui est représentée par le dessinateur, c’est à dire pour cette oeuvre au moment de l’explosion de l’avion ennemi. Each sheet measures: 24.75 h x 29 w in Printed manufacturer's mark to lower edge of each sheet 'Published by The Tate Gallery, London. These questions (even if the artist never meant to raise them) hang over us  half a century later. Whaam!, Roy Lichtenstein, 140 x 400 cm, 1963, Tate Modern, Londres, Détail du tableau mettant en évidence la « trame » voulue par l’artiste pour imiter les BD bon marché, Zoom sur la bulle expliquant les pensées du pilote américain, La sévérité légendaire de Dracon, et l’origine du mot draconien. The approach taken by Lichtenstein has been described as pop art. Roy Lichtenstein was born in 1923, in New York, the son of Milton Lichtenstein, a successful property developer, and Beatrice Werner Lichtenstein. the imaginary world turns out to have echoes in the actual one. Les CATACOMBES de Paris : visite guidée ! Whaam! Pop artists favoured realism, everyday (and even mundane) imagery, and heavy doses of irony and wit.Pop artists like Andy Warhol and Roy Lichtenstein were very aware of the past. The use of these dots, which were invented by Benjamin Day to simulate colour variations and shading, are considered Lichtenstein's "signature method. It is a picture of violence, but the violence is experienced third hand. Whaam! in the right panel, and a yellow-boxed caption with black lettering at the top of the left panel. Pop art is an art movement that emerged in the 1950s and flourished in the 1960s in America and Britain, drawing inspiration from sources in popular and commercial culture. At the same time, their work challenged traditional boundaries between media, combining painted gestures with photography and printmaking; combining handmade and readymade or mass-produced elements. Whaam! en français) est une œuvre de l'artiste américain Roy Lichtenstein.

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