Knuckles stellte fest, dass gerade diese Rhythmusteile die Gäste in Ekstase versetzten, und begann damit, nur noch sie ineinander zu vermischen und den Rest der Platte wegzulassen. My Beatport lets you follow your favorite DJs and labels so you can find out when they release new tracks.

In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. [citation needed], Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). Record labels would hire club DJs to bring their expertise to the studio as a helping hand to create music they knew would hype the dancefloor, and because they already had a direct connection to the dancing public.

[46] According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. John Summit Extended Remix, Kaz James, Gregory Trejo, [39][40][41][42][43][44] By 1985, house music encompassed these locally produced recordings. Cheers!

House first charted in the UK in Wolverhampton following on from the success of the Northern Soul scene. Also important for the development of house were audio mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, record producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, M & M, and others. Copyright © Mixed In Key. So go follow someone!

Original Mix, By My Side feat. ", "Youth's sonic forces: The club DJ: a brief history of a cultural icon", "The club DJ: a brief history of a cultural icon", "House Music: Will It Join Rap And Go-Go?

Original Mix, We Can Do It Right Anthony Valadez Everything should work stable now.

Im Jahr 2005 hat der Bürgermeister von Chicago, Richard M. Daley, zum ersten Mal den „Chicago House Unity Day“ ausgerufen. Frankie began the house trend by splicing together different records when he found that the records he had weren't enough to satisfy his audience. Die musikalischen Ursprünge des House liegen in der Disco-Musik der späten 1970er Jahre, deren Einfluss vor allem in Harmonik und Melodieführung spürbar ist. In 1988, Atkins produced the track "Techno Music" that was featured on an influential compilation initially planned to be named "The House Sound of Detroit", but renamed into "Techno!

Earth n Days Remix, Glen Horsborough,

Original Mix, Mario Bravo, Die Musikrichtung beeinflusste insbesondere die Entstehung des Techno mitsamt seiner Szene. Original Mix, Stronger [60], Larry Heard, a.k.a. RareTwo Inc. Max Chapman, House has made a large impact on pop music, especially dance music. The soundtrack includes full length versions of songs featured in the show, such as "See the World" by Gomez, "Walter Reed" by Michael Penn, and "Teardrop", the show's opening theme, performed by Massive Attack. Enzo Elia Vocal Edit, Don Dada Following the number-one success of MARRS' "Pump Up The Volume" in October, in 1987 to 1989, UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opened the doors to house music success on the UK charts. The emergence of New York's DJ and producer Todd Terry in 1988 demonstrated the continuum from the underground disco approach to a new and commercially successful house sound. [80] As Chicago house gained international popularity, New York's and New Jersey's music scene was distinguished from the "house" umbrella. [75], The early 1990s saw new Chicago house artists emerge, such as Armando Gallop, who had released seminal acid house records since 1987, but became even more influential by co-founding the new Warehouse nightclub in Chicago (on 738 W. Randolph Street[76]) in which he also was resident DJ from 1992 until 1994, and founding Warehouse Records in 1988.

[34] "On and On" is sometimes cited as the 'first house record',[35][36] even though it was a remake of a Disco Bootleg "On and On" by Florida producer Mach. Typisch ist der meist durch einen Drumcomputer erzeugte Rhythmus im 4/4-Takt im Tempo von etwa 110 bis 130 Beats per minute: die Bassdrum auf jeder Viertelnote („Four on the Floor“), Snareschläge bzw. Marc E. Bassy, Set You Free feat. In comparison with disco, House was "deeper", "rawer", and more designed to make people dance. Original Mix, Afro Heartbeat South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. [clarification needed] The record generally credited as the first house hit in the UK was Farley "Jackmaster" Funk's "Love Can't Turn Around", which reached #10 in the UK singles chart in September 1986.

[50] Hardy once played it four times over the course of an evening until the crowd responded favorably.[51]. However, not all house music songs had vocals, and in many cases, the vocals were quite meaningless, as the most important element in house was the beat and rhythm. David Penn Extended Remix, How's The Music

Until today, house music has remained popular on radio and in clubs while retaining a foothold on the underground scenes across the globe. Das ist gut nachzuempfinden, indem einfach in einem klassischen House-Lied 32 Bassdrums (vier Schläge je Takt mal acht Takte) von Anfang einer Sequenz gezählt werden. [citation needed], Diplo, a DJ/producer from Tupelo, Mississippi, was able to blend underground sounds with mainstream styles. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. Elderbrook, CASSIMM, Original Mix, Filter Vocoder Sex Original Mix, Remember Ibiza Club play of house tracks by pioneering Chicago DJs such as Ron Hardy and Lil Louis, local dance music record shops such as Importes Etc., State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. [17] If a house track does have vocals, the vocal lines may also be simple "words or phrases" that are repeated. My Beatport lets you follow your favorite DJs and labels so you can find out when they release new tracks. Club DJs also brought in new house styles, which helped bolster this music genre. [84], It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roulé and Om were at the forefront of championing the emerging sound. Ibiza influences also spread to DJs working London clubs such as Shoom in Southwark, Heaven, Future and Spectrum. [citation needed], Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" Besonders beliebt sind dabei die nicht mehr hergestellten Roland TR-808 und TR-909 Drumsequenzer. Later on in the 1990s, but autonomous from the Chicago scene, the idea of Peace, Love, Unity & Respect (PLUR) became a widespread set of principles for the rave culture which developed out of house. [citation needed], During the 2010s multiple new sounds in house music were developed by DJs, producers and artists.

Eddie Amador - House Music (Original mix) HQ 320!

Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. [29][30][31] According to Hillegonda C. Rietveld, "elements of hip hop and rap can be found in contemporary house tracks", with hip hop acting as an "accent or inflection" that is inserted into the house sound. All rights reserved. In addition, record companies had flooded the market with Disco songs. In Detroit during the early and mid-1980s, a new kind of electronic dance music began to emerge around Juan Atkins, Derrick May and Kevin Saunderson, known as the Belleville Three. Elsewhere, fusion genres derivative of 2000s progressive house returned, especially with the help of DJs/artists Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe. Summer Season House record producer Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'". O'rhythms Mix, Piper on Stage Disco had already produced the first records to be aimed specifically at DJs with extended 12" versions that included long percussion breaks for mixing purposes. Original Mix, Soft Drink Guitar [14], The constant bass drum in house music may have arisen from DJs experimenting with adding drum machines to their live mixes at clubs, underneath the records they were playing.[32]. [citation needed], While the acid house hype spawned to the UK and Europe, in Chicago itself it reached its peak around 1988 and then declined in popularity. Gleichzeitig entstand in New Yorker Clubs wie der Paradise Garage und The Loft, geprägt durch DJs wie Larry Levan, François Kevorkian und Eric Kupper, ebenfalls eine wichtige House-Szene. Play and Tonic. Other North Americans playing house music include the Canadian Deadmau5 (known for his unusual mask and unique musical style), Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner.

From its beginnings in the Chicago club and local radio scene, the genre expanded internationally to London, then to other American cities such as New York City and Detroit before becoming a worldwide phenomenon. [17], One of the main influences of house was disco; house music having been defined as a genre which "...picked up where disco left off in the late 1970's. Original Mix, The Groovy Cat It featured notable ghetto house artists like DJ Funk, DJ Deeon, DJ Milton, Paul Johnson and others. Major record companies began to open "superclubs" promoting their own groups and acts. Roger Sanchez Extended Remix, Patrick Topping,

[citation needed], Early history (1980s): Chicago house, acid house and deep house, UK: Acid house, rave culture and the Second Summer of Love, Chicago's second wave: Hip house and ghetto house, New York and New Jersey: Garage house and the "Jersey sound".

Some tracks do not have a verse, taking a vocal part from the chorus and repeating the same cycle. [10] It has spawned numerous subgenres, such as acid house, deep house, hip house, ghetto house, progressive house, future house, tropical house, tech house, electro house, and many more.

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