Wiley’s shtick appears to be taking famous paintings and recreating them with black people in order to represent blacks in Western masterpieces. By clicking “I agree” below, you consent to the use by us and our third-party partners of cookies and data gathered from your use of our platforms. “As a response to the unveiling of former President Barack Obama’s official portrait, pro-Trump trolls launched a smear campaign against artist Kehinde Wiley, claiming a painting of his symbolizes an attack against white people and that the artist ‘seems racist,'” reported Media Matters. This race-baiting, virtue-signaling leftist is the painter that Barack Obama selected to paint his likeness. Please enable cookies on your web browser in order to continue. https://twitter.com/StefanMolyneux/status/963154195476922369, “It’s sort of a play on the ‘kill whitey’ thing.” – Kehinde Wiley https://t.co/LFvjzDMTVF https://t.co/bt8bSrRWWZ, — Stefan Molyneux (@StefanMolyneux) February 12, 2018. The new European data protection law requires us to inform you of the following before you use our website: We use cookies and other technologies to customize your experience, perform analytics and deliver personalized advertising on our sites, apps and newsletters and across the Internet based on your interests. “He redresses the absence of nonwhite faces in museum masterpieces, ‘using the power of images to remedy the historical invisibility of black men and women,’ as Eugenie Tsai, the curator of the Brooklyn Museum show, observes in the accompanying catalog,” the Times wrote. But on close inspection, it does indeed seem racist. Obama sat through 20 years of messages steeped in deep racism, anti-semitism, and anti-Americanism.
The message is clear: not only are whites oppressors in history but also on canvas. Obama reveled in race-baiting throughout his presidency. All of this is in the pursuit of fairness and equality, of course. The artist who painted Barack Obama’s portrait is Kehinde Wiley, a well-known, far-left gay painter whose work is racially charged. See our, Read a limited number of articles each month, You consent to the use of cookies and tracking by us and third parties to provide you with personalized ads, Unlimited access to washingtonpost.com on any device, Unlimited access to all Washington Post apps, No on-site advertising or third-party ad tracking. Media Matters thinks white people should not be alarmed at this depiction because it’s just art, stupid. Anyone with eyes can see Wiley uses race as his main subject. This is the same man who couldn’t choose a normal pastor in Chicago but chose the one who was a black liberation theologian. The New York Times pontificated endlessly about his edgy and important work highlighting injustice. Whitmer Kidnapping Plot. How boring. By clicking “I agree” below, you consent to the use by us and our third-party partners of cookies and data gathered from your use of our platforms. See our Privacy Policy and Third Party Partners to learn more about the use of data and your rights.

You also agree to our Terms of Service. Wiley’s worldview is a reflection of his subject’s views. Why am I not surprised? It isn’t enough for minority artists to create art, they must remake the great Western works in their own image in an effort to erase Western greatness. The artist who painted Barack Obama’s portrait is Kehinde Wiley, a well-known, far-left gay painter whose work is racially charged. Copyright ©2020 PJmedia.com/Salem Media. We rely on readers like you to uphold a free press. In Wiley’s painting, a black woman is holding the decapitated head of a white woman. The official portraits of the Obamas were unveiled today to much buzz and criticism. Demands Grow for Her to Apologize to Trump, Twitter Is Silencing Anybody Who Wants to Talk About Hunter Biden, The CDC Wants You to Serve Turkey Virtually This Thanksgiving, Swing Voters Are Sticking With Trump, Expect Him to Be Reelected. This content is currently not available in your region. Terms under which this service is provided to you, elevating minorities with grievances regardless of facts, [UPDATED] Military Ballots Found in the Trash in Pennsylvania—Most Were Trump Votes, Antifa Attacks Pro-Trump Free Speech Protesters in San Francisco, BLM Supporter Tied to Michigan Gov. Judith Beheading Holofernes by Caravaggio (via Wikipedia). Former president Barack Obama and former first lady Michelle Obama watch as artist Kehinde Wiley, right, speaks during an unveiling ceremony at the National Portrait Gallery on Monday. In reworking this painting, Wiley chose his victim carefully. All Rights Reserved.

He stoked the fires of hatred and division at every opportunity, never calling for calm or facts, but elevating minorities with grievances regardless of facts. The original painting by Caravaggio is a depiction of the apocryphal tale of Judith, who saved the Jewish people from death at the hands of Assyrian general Holofernes by seducing him and then cutting off his head in his sleep. 5 things you may not know about Kehinde Wiley, the artist behind Barack Obama's presidential portrait Published Fri, Apr 20 2018 10:56 AM EDT …

In the story of Judith, the brave woman sees that the Assyrians are going to starve out her people and so she goes to the oppressor and tricks him and seduces him until she has the opportunity to kill him. His choice of an artist who turns out to be controversial and divisive and heavily into black victim culture is hardly surprising or avant-garde. Anyone with eyes can see Wiley uses race as his main subject. 5 things you may not know about Kehinde Wiley, the artist behind Barack Obama's presidential portrait Published Tue, Feb 13 2018 9:22 AM EST … His version of “Judith Beheading Holofernes” is raising eyebrows on social media. (This, of course, begs the question of whether Wiley thinks white people are underrepresented in Asian art or in African art where very few white people are depicted.)
We use cookies and other technologies to customize your experience, perform analytics and deliver personalized advertising on our sites, apps and newsletters and across the Internet based on your interests. https://time.com/5158961/obama-portrait-kehinde-wiley-amy-sherald-interview It is, quite simply, predictable. It isn’t fair the masters didn’t paint black subjects or weren’t black themselves and so Wiley seeks to even those odds by desecrating the famed Western works and pushing the “blacks as victims” narrative in riotous colors. If the painting is supposed to mirror Caravaggio’s masterpiece, then the white woman is the oppressor and the black Judith is the hero destroying her. It doesn’t take a genius or even an art major to figure out what the artist is inferring. It wasn’t an Assyrian male he chose but a white woman.

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