Hirst is included in a major exhibition at the Getty Museum, Los Angeles. Returning to one of his most well-known motifs – the butterfly – Hirst’s new paintings take their inspiration from the mandala: highly patterned religious images that represent the cosmos or universe in Hindu, Buddhist, Jain or Shinto traditions.

Collection Platform 4 continues the presentation of Pinchuk Art Centre's collection with a group exhibition of work addressing two central, and sometimes opposed, concepts: emotion and technology. In the nearly quarter of a century since that pivotal show, Hirst has become one of the most influential artists of his generation. As Rod Mengham has written in the catalogue to accompany the exhibition: ‘Hirst’s prolonged exploration of the life cycle of the butterfly, its spectacular visual appeal, the mythological and cultural formations it has inspired, and the variety of forms of response it has provoked in both artists and scientists, is one of the most thoroughgoing and many-sided conceptual projects sustained by any contemporary artist.'. Whilst the ‘Kaleidoscope’ paintings directly connect with Christian iconography – one collection was named after entries in the Book of Psalms, and others replicated patterns from cathedral stained glass windows – Hirst's new work draws on specifically Eastern philosophical traditions. The show is commonly acknowledged to have been the launching point not only for Hirst, but for a generation of British artists.

'With Dead Head' features in group exhibition tracing the history of self-portraiture since Rembrandt's 1665 'Self-Portrait with Two Circles'. Group Exhibition, The J. Paul Getty Museum. Group Exhibition, The Moore Building, Art + Design District, Group Exhibition, ARoS Aarhus Kunstmuseum, Group Exhibition, The J. Paul Getty Museum, Objects of Wonder: From Pedestal to Interaction, Treasures from the Wreck of the Unbelievable, Book of Beasts: The Bestiary in the Medieval World. Damien Hirst has created a new rainbow artwork to show support for the NHS in the current Coronavirus crisis. Thirteen works from ‘Treasures from the Wreck of the Unbelievable’ on display at Claridge's. White Cube Mason's Yard, 20 September – 2 November 2019 On display alongside Hirst’s iconic ‘Natural History’ piece, ‘The Physical Impossibility of Death in the Mind of Someone Living’ (1991), are a selection of key works from Hirst's most important series.
Two works by Hirst feature in a group exhibition at Sprüth Magers. Like the Victorian lepidopterist displays which originally inspired the butterfly works, the ‘Mandalas’ rely on a democratic and regularised approach to placement but, in the process, effect a form of rhythmic patterning, a Rorschach-like mirroring that emerges from iconographic organisation. Damien Hirst’s wide-ranging practice includes installation, sculpture, painting and drawing. White Cube Mason's Yard. Damien Hirst 1965 Born, Bristol, UK 1989 Graduated, Goldsmiths College, London Read More. 14 May 2019 – 18 August 2019. FULL PROFILE Damien Hirst. The gallery is operating with reduced opening hours and timed visiting slots to enable easy social distancing and avoid queues. Seven major sculptures by Hirst are currently on display across Leeds and Wakefield as part of the inaugural edition of Yorkshire Sculpture International. Damien Hirst was born in 1965 in Bristol and grew up in Leeds. Kaldor Public Art Project #27, brings together 13 artists and more than 100 performers to present an innovative group exhibition of ‘living sculpture’ within 13 purpose-built rooms. The largest ever retrospective survey of Damien Hirst's work, including both iconic, and previously unseen artworks, spanning 27 years of the artist's career. He studied Fine Art at Goldsmiths college from 1986 to 1989, and whilst in his second year, he conceived and curated the group exhibition, ‘Freeze’. Los Angeles, United States .

By using their wings alone, isolated from their whole-bodied reality, Hirst points to an idealised beauty while, at the same time, co-opting their exuberant, natural patterning into ready-made elements within a systematic and methodical abstraction. Consistently challenging the boundaries between art, science and religion, his visceral, visually arresting work has made him a leading artist of his generation. Predominantly circular, they feature exquisitely colourful butterfly wings placed into intricate concentric patterns on household gloss paint. Cherry Blossoms to be exhibited at Fondation Cartier in Paris Hirst’s latest paintings are to be presented in the artist’s first museum exhibition in France, opening in spring 2021. The largest ever retrospective survey of Damien Hirst's work, including both iconic, and previously unseen artworks, spanning 27 years of the artist's career.

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