The film is very finely crafted with very complex characters and more contained moments that build upon one another to create a compelling third act. Now he needs a traditional wife, in all but name – a drudge. Iranian actors have been honed and trained since the 1970's when the modern era of Iranian film began. As the movie progresses, terrible things happen in a succession of unintended consequences. I've never seen an Iranian move but the country has a rich movie culture that has broken through with A Separation which won the Golden Bear, best actor and best actress awards at Berlin earlier this year. External Reviews She has an important family responsibility, too, looking after Nader's father. Now streaming on: Powered by JustWatch. … Couple arguing in front of a judge where when she was asked whether the man beats her because she wants a divorce saying: no, he is a good man, but I want a divorce. This movie is for me a thriller, even though labeled a drama. Both have some justice on their side. 'A separation' engrosses you into the life of a small Persian family and shows you what happens there. Flawed people behave badly and they will make ferocious appeals to justice and to law in preliminary hearings very similar to the divorce court, heard by harassed, careworn officials oppressed by the knowledge that there is no black and white, but numberless shades of grey. Two thumbs up and no wonder it has been so highly rated! Have you seen it? It's Will back again and today's review is the 2011 Iranian drama film "A Separation". SEPARATION Review–Puppets and Divorce Merge in Awkward Horror Movie Read Chad Collins' review of SEPARATION from director William Brent … I thought it a stifled and smothered narrative. Beneath the opening credits, a photocopier copies IDs, one after another. It is an Iranian film that centers on intimate domestic issues in the midst of extremely difficult circumstances - a purely humanistic narrative that gets better and better as it progresses, building upon layer after layer after layer of dense situations in which these poor characters are helplessly engulfed within. It seems that a court room drama could be the best place for Frahadi to recreate his very own world and confront us with a short and somehow faraway situations and incidents in life. Read full review Commenting has been disabled at this time but you can still. She sees everything, she forces her father to make a key admission, and then, excruciatingly, is put into a false position on his behalf. I only watch Iranian films when they win awards or receive international recognition. | All these things surely show the influence of Michael Haneke's 2005 film Hidden. When the tension is high, they're extremely convincing, I couldn't take my eyes off any of them, especially lead actress Leila Hatami who holds a certain photogenic beauty. I've seen too many of them, I forget them before the credits roll. you can not leave the movie for even 1 second and characters are such real ones that you start to put yourself in their position and think what would I do? Ashley, Harel & Evie join me to watch & review "A Separation". Writer-director Asghar Farhadi proves it is possible to tell a morally complex story, depicting the rights and wrongs of each character’s journey. The complicated plot is gripping and holds one's attention to the very end. Her well-off employer or her impecunious husband? "A Separation" is a film in which every important character tries to live a good life within the boundaries of the same religion. There may be several guilty parties. This figure is not shown; the couple look directly into the camera and make their case, as it were, to us, the audience. A couple, Nader (Peyman Moaadi) and Simin (Leila Hatami), have opposite ideas about living abroad but the same opinions about divorce. The film involves its audience in an unusually direct way, because although we can see the logic of everyone's position, our emotions often disagree. I'm a fan of Kiarostami and Majidi, but I can't really say that I like all of their films. Nader already has a modern wife who has a professional career and wants to go her own way. Have you ever been watching a movie where you could not take your eyes of the screen, not even for one second to take a zip of your wine? the relationship between daughter and father and wife and husband seem so natural for those who know that culture. This novel moves with plodding slow steps. GREAT FILM, one of the best films in 2011.. Masterful Acting, Directing, Storyline!!! I'm an Iranian, but I've never been interested in Iranian cinema. Wow, i haven't caught a show that's been more real and intense in years. Everywhere in this unhappy household, there is conflict. Books, Film & TV, New in Ceasefire - Posted on Wednesday, April 4, 2012 15:09 - 4 Comments. Open Road Films/Briarcliff Entertainment. ‘Separation’ Review: A Scattershot and Oft-Misogynistic Thriller A widower and his daughter are haunted by an evil maternal spirit in director William Brent Bell’s clunky horror movie. Separation, 2021. The adults' pettiness and selfishness have forced this on her: it is an insidious kind of abuse. Simin wishes to live abroad to give a better life to her eleven year-old daughter Termeh (Sarina Farhadi) and Nader, who is a family man but very arrogant, wants to stay to take care of his father (Ali-Asghar Shahbazi) that has Alzheimer. But the thing is that the judge does not provide any help for us to make a clear judgment and surprisingly makes the situation even more complicated. I think this movie is the savior of Iranian cinema.Asghar Farhadi is a smart director and all of his movies are talking about Iranian society. Separation. | I felt sympathy for all the characters, even the threatening Hodjat, full of misplaced rage which often erupts volcanically. For all the hate-filled rhetoric spewed about Iran, this film should show the world, like so many other Iranian films, what brilliant artistry exists in this nation, what sensitive beautiful people Iranians are. these Iranian people are god's blessings bravo... the actor is like born to act as if he is living his real life. But not Razieh. Despite the tough work involved – a 90-minute commute and the necessity of looking after a confused and incontinent old man with no special training – Nader quibbles with her about pay and this humiliating exchange is to involve Nader in the lives of both Razieh and her own prickly husband Hodjat (Shahab Hosseini). ‘Separation’ review: Let go of it for a better life Nguyen Le April 30, 2021. "A Separation" is an intense and powerful examination of the eternal conflict between human emotions, personal convictions and Law, whether political or religious, and it happens to be –I believe- the best film of 2011. And she is further oppressed by her own religious sense. Through their argument, the main storyline of the movie becomes clear for us so that we become aware that Nader and Simin have been planning to move to a European country to provide better opportunities, as Simin claims in the court, for their only daughter, Termeh (Sarina Farhadi). "A Separation" Review : Winner of the Academy Award for Best Foreign Language Film and also a nominee for Asghar Farhadi's triumphant and remarkably authentic screenplay, the Iranian film A Separation is one of the best family dramas to come down the pike in years in any language. This Article is related to: Reviews and tagged A Separation, Asghar Farhadi, Reviews, Sony Pictures Classics JavaScript is required to load the comments. ‘Separation’: Film Review Jon Frosch 16 mins ago. After 14 years of marriage, Simin (Leila Hatami) and Nader (Peyman Moaadi) want to split. ‘A Separation’ is “An empty and ridiculous...” book. Divorce of Force: Bell Peddles Puppets in Congested Ghost Story “Separate’s always better when there’s feelings involved,” per Outkast’s 2003 track Hey Ya!, and one wonders if William Brent Bell’s blandly titled Separation couldn’t have felt a bit more concise about these same sentiments. In creating a plethora of deep emotions that are carried out honestly and never over-the-top by the ensemble's pitch-perfect performances, Farhadi manages to weave together multiple angles that are both morally complex and excruciatingly truthful into each and every one of his primary characters (all of whom exist in the middle-to-lower class) . The film, which opens in my hometown of Indianapolis at the Keystone Art Cinema on March 2, 2012, is a … They must stay in Iran to look after his father. That in itself is laudable. — Anonymous. A gripping and heart-pounding universal masterpiece ... made in Iran ... most touching movie making you think but not cry. Nader wants to remain to look after his father (Ali-Asghar … When Termeh's teacher Miss Ghahraii (Merila Zare'i) comes round, she is treated as an honoured guest. At the time, I believed this to have been the cause of this director's success. And as a footnote, the film felt like an intimate view into a society that our news media portray as monochromatic and extremely foreign. Tweet. I hope it will win the Best Foreign Language Film title in 84th Academy Awards. Metacritic Reviews. When she realises that she will have to handle the old man's naked body in the bathroom, Razieh has to telephone her imam to get confirmation that this would not be a sin. I saw this last night at the Auckland Film Festival and have to say it is probably the finest film I've seen this year. 2021, Mystery and thriller/Horror, 1h 47m. That this leads them into disharmony and brings them up before a judge is because no list of rules can account for human feelings. I hadn't been swept off my feet for a while, but this Iranian Hitchcockian drama sucked us in for 123 minutes and left us very, very impressed. From the first moments of the film you believe them and the truth of their existence. But there is a distinct western strand. A married couple are faced with a difficult decision, to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimers (plot). I wouldn't have been more glued to the screen if I watched a blockbuster action movie. Well, anyway it's the best story, the best cutting, the best actors you've seen for long. With great power and subtlety, Farhadi transforms this ugly quarrel into a contemporary tragedy. Before making the decision to see it—or any other film—in a movie theater, please consider the health risks involved. I think our day to day life has more than enough material for a good movie. But she is the person on whom a terrible, unspeakable burden is to fall – a burden both judicial and moral. I should also add that the performance of the cleaner woman is very satisfactory. I think Farhadi knows Iran Society very well. The film also aids us in understanding the roles of religion and culture... and more into human characteristics that go beyond those. She is, after all, teaching their daughter. The very first scene shows the pair petitioning the equivalent of a magistrate for permission to proceed. The stage is set for a terrible confrontation. This powerful, complex Iranian drama centres on a conflict that cuts across boundaries of gender and class. It is so well-crafted; the twists of the plot throw up new moral dilemmas for all the protagonists, which are explored sensitively and without judgement - so refreshingly unlike mainstream American films. It starts incredibly strongly then just keeps cranking up the tension and conflict. In the end, Termeh is the central figure. A Separation by Katie Kitamura review – a smart study of upper-class alienation From the glamour of Glyndebourne to murder in Greece – a woman’s intriguing quest … The new movie of Asghar Farhadi is a melodrama that captures the theme of responsibility and honesty as well as love, religiosity, and sacrifice. It is a rigorously honest … A Separation is a portrait of a fractured relationship and an examination of theocracy, domestic rule and the politics of sex and class – and it reveals a terrible, pervasive sadness that seems to well up through the asphalt and the brickwork. Yet one thing cannot be bargained away: the children. When I watched SEPARATION, the latest film from The Boy and Brahms director William Brent Bell, I … with a look into his previous films it's very vivid that he has continued what he wants to make to a more comprehending level. This film won the best foreign language film for the Golden Globes. 0 Shares 0 0 0. Friends can join in, as well as family. Arriving on the heels of his “The Boy” and “Brahms: The Boy II,” William Brent Bell’s “Separation” reconfirms the director’s belief that nothing is scarier than creepy killer dolls. One scene shows a group of people at the flat, relaxing and having fun, playing table football. Her pain and anger are all mostly hidden. 19 Reviews 100+ Verified Ratings Class matters, as much as gender. Film review – A Separation (2011) 28 February 2012 Thomas Caldwell Film review Comments Off on Film review – A Separation (2011) Simin (Leila Hatami) and Nader (Peyman Moaadi) Simin (Leila Hatami) wants her husband Nader (Peyman Moaadi) and their 11-year-old daughter Termeh (Sarina Farhadi) to leave Iran with her. What did you think? About actresses , Leila Hatami & Sareh Bayat performed unconventionally great and I think that was the most important movie that they have ever acted in. She is shown rather miserably getting on with something in the kitchen. You'd be left guessing and predicting the plot while trying to understand the characters and the choices they make. A Separation - a corruption of the much-better Iranian title which translates as The Separation of Nader from Simin - arrives in the States on the back of just about as much praise as one movie could possibly receive, not least of which is that it's the most-rewarded film in the history of the Berlinale festival. There are 581 of these tiny cabins in the US. A Separation: Exploring Class, Marriage, and Morality Through Iranian Culture By Ben Becker. Summaries. It was the first Iranian film to win a Golden Bear Award, and currently sits with a 99% rating on Rotten Tomatoes and an 8.4 user score on IMDB. | it is a must see movie as Turkish drama lover person i may suggest every drama fan to watch this breath taking real natural real movie. I should hope not, for Farhadi manages once again to embed lots of social criticism into a straight-laced, realistic narrative. Good Luck for Iranian Movies , Directors , Actors & Actresses and ..... Gripping, tense, heartfelt, powerful, painful, and stirring, Asghar Farhadi's A SEPARATION is an intense drama that captivates like a thriller by boasting astounding performances and a truly compelling narrative arc. The film shows a middle-class household under siege from an angry outsider; there are semi-unsolved mysteries, angry confrontations and family burdens: an ageing parent and two children from warring camps appearing to make friends. The shoots were artistically taken; I see a beauty in a scene when a woman is walking with her long vein downstairs. It's a thrilling domestic drama that offers acute insights into human motivations and behavior as well as a compelling look at what goes on behind a particular curtain that almost never gets raised. Morally complex, suspenseful, and consistently involving, A Separation captures the messiness of a dissolving relationship with keen insight and searing intensity. So through Simin's connections, they engage Razieh (Sareh Bayat), a woman with one small daughter, whom she will have to bring to work every day, and who also has a secret she is keeping from her prospective employer. A SEPARATION is a very dialogue-driven, a very character driven story, all the actors in this film are marvelous. this is one of the most heart breaking and real movies I have seen this year. Yes Farhadi doesn't want us to make a judgment, He makes us watch and observe and leave the theater with a big fork in front of us.It Seems that any single decision creates another world full of forks and not taken ways. Farhadi, like Haneke, takes a scalpel to his bourgeois homeland. A ghost story divorce drama about a woefully inept husband, his […] Note: The writer of this review watched Separation on a digital screener from home. The acting and directing for this film made me feel like i was watching a documentary. Directed by William Brent Bell. Don't, don't miss it. A Separation is a portrait of a fractured relationship and an examination of theocracy, domestic rule and the politics of sex and class – and it reveals … Nowadays religious intolerance is the main problem of Iranian society and Farhadi decided to show this matter in his latest film.We have to appreciate him because at the age of poor Iranian movies we have a brilliant movie on screens. The story is so real, this could have happened anywhere. Look! They've been almost 100% full during the pandemic . They live in a flat with their intelligent, sensitive 11-year-old daughter Termeh (Sarina Farhadi), and with Nader's elderly father (Ali-Asghar Shahbazi), who suffers from Alzheimer's and is in need of constant care. Maybe depressed genteel readers will feel they can safely explore their own buried rage about their failing marriages without feeling too sordid or … It will also be fresh and novel for non-Iranian audiences. Farhadi shows how this situation is like a pool of petrol into which any event lands like a lighted match. This is the first Iranian film I've seen, and I'm recommending it to every-one I know. Iranian cinema lands in the west with a bang. By Nacim Pak-Shiraz. “A Separation” and “The Hunter.” One day, the old fellow, left unattended, wanders into the street. just brilliant! She knows that in this world, the man's word is law, but which man? The women see this, but not the men. Academic and author Nacim Pak-Shiraz reviews Iranian filmaker Asghar Farhadi’s Oscar-winning 'A Separation'. | Although maybe it won't for that very reason: Jahar Panahi's repeat inability to attend his jury duties because of Iran's government refusal to issue him a travel permit, a retrospective of his works including the 2006 Silver Bear-winning 'Offside', a variety of other Iranian productions and renewed demonstrations in Iran proper put the spotlight firmly on that country's elaborate, yet constrained film industry. The stark intimacy of the film is stunning. The movie starts with an argument for divorce between Simin (Leila Hatami) and Nader (Peyman Moaadi) before a judge in an Iranian court. In Tehran, the teacher Simin (Leila Hatami) has requested the divorce from her husband, the bank clerk Nader (Peyman Moadi). Starring Rupert Friend, Madeleine Brewer, Brian Cox, Violet McGraw, Troy James, Simon Quarterman, and Mamie Gummer. Phenomenal. Caught "A Separation" in Amsterdam last night, fully unprepared for its greatness. The film manages to grasp and reflect human nature which is complex and multi-faceted. A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease. The principal actors: Leila Hatami, Peyman Moaadi, Shahab Hosseini, Sareh Bayat, and Sarina Farhadi (the director's own daughter) are superb. A Separation (2011)-Movie ReviewBy WillFoxificationWhat's up, guys!? Everyone is aware of their rights and how angry they feel at injustices and slights, and the women are grimly aware of the double responsibility of finding a working solution and persuading their menfolk to accept it. But now Simin wants to leave Iran for a country where there are more opportunities for women generally and for her daughter in particular; Nader says it is out of the question. Watching Nader and Simin, however, proved that I was terribly mistaken. User Ratings This debate has escalated into a demand for divorce. But how about Razieh? It blows just about everything this season out of the water. In courtroom terms, this is something like an opening address to the jury, and the audience is invited not to decide who is right and who is wrong, but to see afresh that in such cases there is no right and wrong. Do yourself a favor - make sure you see this movie. Asghar Farhadi’s drama, A Separation, was without a doubt a successful film. Asghar Farhadi loves to put his audience in place of judge, as his other pictures like About Eli or Fireworks Wednesday and here with no fear he takes us straight to a court room. And I can understand why. I have noticed though there is an avid audience of admirers for pseudo-intellectual/literary books such as ‘A Separation’. Film | Review: A Separation. The characters are beautifully layered, complex and fascinating and the director manages to maintain empathy for all of them until the final frame, simply not allowing us to 'take sides' - which is what the couple's daughter is being asked to do. Now, it's a film without any nudity, crime lords, drugs or swearing to pin me down for a breathless, profound two hours. The first thing you read on the screen is "In the name of God". Read full review Despite the angry denunciations flying back and forth and the fizzing sense of grievance being nursed on both sides, the messy, difficult truth is that both parties can be justified, that all-or-nothing judicial war will bring destruction, and that some sort of face-saving compromise will somehow have to be patched up. When Simin and Nader part, and Simin leaves to live with her mother, an instant question presents itself – with no wife in the picture, who is to do the woman's work? In its depiction of national alienation in Iran, it's comparable to the work of Jafar Panahi and Mohammad Rasoulof. (I am writing this a few days after the UK embassy in Tehran was ransacked). As the story unfolds you the viewer is left to guess the plot and to second guess yourself as to who the protagonists or antagonists are in the film. Nader ( Payman Maadi) and Simin ( Leila Hatami) argue about living abroad. The plot is patiently set up with its pieces slowly establishing in place in the first few scenes before snaring the audience into a wonderfully played 123-minute thrill ride that places viewers right beside its characters - a feat that is executed through its seemingly naturally-crafted hand- held cinematography in conjunction with genuine acting that rarely calls attention to itself. But she gets no respect. And it comes from Iran. It is true in every instance to Iranian society and cultural life. he knows what to write and what to direct! If mainstream cinema leaves you soulless, see this film. FAQ These are modern people with modern problems. But “A Separation,” written and directed by Asghar Farhadi (and Iran’s official Oscar submission), does not feel especially constrained. you will be "awed" in amazement THROUGHOUT! Review: When you watch a scary movie, you expect to be scared. We think these kinds of happenings and conflicts would not take place in our lives but with his realistic world and characters they seem so close and possible to anyone. SYNOPSIS: A … A Separation Review. n unhappily married couple break up in this complex, painful, fascinating Iranian drama by writer-director Asghar Farhadi, with explosive results that expose a network of personal and social faultlines. A real tearjerker that helps the audience to think about important but forgotten concepts like responsibility, love, and sacrifice in the 21st century. You get to watch this very closely and the final result is a superbly simple and beautiful film. Simin moves to the house of her mother and Nader hires the religious Razieh (Sareh Bayat) to take care of his father while he is working. I watched Farhady's previous film (About Elly) about a year ago, and the first thing which struck me was how culturally detached the movie was in its depiction of an event. Read critic reviews Here’s an interview on the matter with scientific experts. Watch it and learn why American politicians have been misleading Americans about Iranian life. About the actors , that is the second experience of Peyman Moaadi who had seen before in last Farhadi's film (About Eli 2009), but he acted more professional than he is , as an intolerant person and doesn't let his family to go to abroad. I hope this film gets wide distribution (particularly into the U.S.) as its insight into modern Iranian family life (albeit a privileged one) might help to erase the convenient misconception that 'they' are not like 'us'. Awards An unhappily married couple break up in this complex, painful, fascinating Iranian drama by writer-director Asghar Farhadi, with explosive results that expose a network of personal and social faultlines. Which is to say, who is to do the drab, menial work of cleaning the flat, and looking after Nader's poor, incapable father? Both of them work, and, ambitious for their daughter's education, they have hired a teacher from her school to come to this crowded flat to give her extra coaching for her imminent and crucial exams. A great film that i'm still thinking about and the acting and directing really shone through it all to help make this film so realistic and personal to the audience. Asghar Farhadi's new film after the ingenious 'About Elly' is running for the Golden Bear at this year's Berlin Film Festival and, with half of the competition done and the rest of the program not looking too promising, appears to be an almost inevitable winner. All that buzz may outshine the film's artistic value, and prompt the jury to go for a less favored competitor. In the compelling but slow-moving Iranian film A Separation, a downbeat family drama of no particular distinction gradually turns into a mystery that raises painful moral questions. I watched ‘A Separation’ a while back and after this recent rewatch of the film I felt a more complete viewing experience and was amazed by its complexity. A Separation is totally foreign and achingly familiar. And few films are that stomach-turning, although there's hardly any physical violence. Reviews Separation Brian Tallerico April 30, 2021. 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